Untitled (Red and Green), 2014 by Jonas Wood, published by Cirrus Editions, exemplifies the artist’s distinctive approach to contemporary printmaking. Known for his bold, flattened forms and vibrant color palettes, Wood draws from both modernist traditions and his own personal experiences to create works that feel simultaneously familiar and abstract. In this print, Wood’s characteristic style shines through, blending domestic scenes with geometric abstraction.

In Untitled (Red), 2014, Wood explores the relationship between color and form, using contrasting shades of red and green to create a striking visual tension. His use of simplified shapes and flattened perspectives echoes the influence of artists such as Henri Matisse and David Hockney, while also embodying his unique ability to transform everyday imagery into dynamic compositions. The print’s clean lines and bold blocks of color invite viewers to reconsider familiar spaces, imbuing them with a sense of stillness and contemplation.

Wood’s work often reflects a broader cultural interest in merging personal narrative with formal artistic concerns. In Untitled (Red), his attention to detail and careful manipulation of space create a sense of intimacy while also engaging with larger modernist traditions. His prints, including this piece, highlight the power of simplicity and color to evoke emotional responses and invite deeper reflection on the visual world.

This museum-quality work, published by Cirrus Editions, is a perfect example of Jonas Wood’s contribution to contemporary art, blending modernist influences with his own fresh, personal vision, making it an important piece in the landscape of 21st-century printmaking.