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Damien Hirst

Damien Hirst

"Art is about life and it can't really be about anything else. There isn't anything else."

Damien Hirst (b. 1965, Bristol, United Kingdom) is one of the most prominent and controversial figures in contemporary art, whose provocative work has redefined the boundaries between art, science, religion, and commerce. As the leading member of the Young British Artists (YBAs) who transformed the British art scene in the 1990s, Hirst gained international recognition for his confrontational works that examine mortality, value, belief, and the commodification of art itself. Working across diverse media including installation, sculpture, painting, and photography, Hirst's oeuvre is characterized by conceptual boldness, technical precision, and a distinctive visual language that combines scientific aesthetics with existential inquiry.

After studying at Goldsmiths College in London under the influential teacher Michael Craig-Martin, Hirst rose to prominence when he conceived and curated the groundbreaking exhibition "Freeze" in 1988, which launched the careers of many YBAs. His early installations featuring preserved animals in formaldehyde, most notably "The Physical Impossibility of Death in the Mind of Someone Living" (1991)—a tiger shark suspended in a vitrine of formaldehyde—established his reputation for creating visceral works that confront viewers with the reality of death. Throughout his career, Hirst has developed several iconic series including the "Spot Paintings" of perfectly arranged colored dots, the "Spin Paintings" created on rotating circular surfaces, the "Medicine Cabinets" filled with precisely arranged pharmaceutical packaging, and the "Butterfly Paintings" incorporating actual butterfly wings in intricate patterns reminiscent of stained glass windows. Beyond their striking visual impact, these works engage with profound themes of mortality, faith, medicine, and the pursuit of immortality through art and science. Based primarily in the UK with studios in London and Gloucestershire, Hirst continues to produce work that challenges conventions while maintaining his position as one of the world's most recognizable and commercially successful contemporary artists.

Damien Hirst, Heaven, 2008. by Prudence Cuming Associates Ltd. © Damien Hirst and Science Ltd. All rights reserved, DACS/Artimage 2023

Prominent Collections

Damien Hirst's works are held in numerous prestigious public and private collections worldwide, reflecting his significant impact on contemporary art. TheTate in London possesses an extensive collection of his works, including landmark pieces such as "Mother and Child Divided" (1993), his formaldehyde-preserved cow and calf. The Museum of Modern Art (MoMA) in New York holds several significant works, including examples from his "Natural History" series and "Pharmacy" installation. At the Hirshhorn Museum and Sculpture Garden in Washington D.C., visitors can experience his "The Dream" sculpture and select "Spot Paintings." The Astrup Fearnley Museumin Oslo houses one of the most comprehensive collections of Hirst's work outside the UK, including "Mother and Child (Divided)" and various pharmaceutical works. Other institutions with notable holdings include the Queensland Art Galleryin Australia, which features his butterfly works, and the Museo Jumex in Mexico City. Beyond public collections, Hirst's work features prominently in major private collections, including those of Charles Saatchi, who played a crucial role in the artist's early career, the Broad Foundation, and the Pinault Collection, which holds numerous significant pieces including examples from his "Treasures from the Wreck of the Unbelievable" series.

Studio Practice & Printmaking

Damien Hirst's approach to art-making represents a significant departure from traditional studio practice, embracing a model that more closely resembles a business enterprise or scientific laboratory than a conventional artist's atelier. Working across multiple studios in London and Gloucestershire, with a team that has at times numbered over 100 assistants, Hirst's production methods reflect both the conceptual foundation and ambitious scale of his practice. This factory-like approach, explicitly acknowledging influences from Andy Warhol's "Factory," allows Hirst to realize complex projects requiring specialized technical expertise while maintaining conceptual oversight.

Central to Hirst's practice is the separation of conception from execution. As the conceptual architect of his work, Hirst develops the ideas, parameters, and specifications, while skilled technicians, fabricators, and specialists execute the physical creation according to precise instructions. This approach is most evident in his "Spot Paintings," where assistants apply carefully measured colored dots following Hirst's exacting guidelines, and in his "Natural History" works, where veterinary specialists and formaldehyde experts preserve animals according to his artistic vision. Hirst openly acknowledges this division of labor, considering it fundamental to his artistic methodology rather than incidental to it.

The technical aspects of Hirst's production often require specialized knowledge and equipment. His formaldehyde works involve complex preservation techniques and custom-built steel and glass vitrines manufactured to museum conservation standards. His "Pill Cabinets" and pharmaceutical installations require pharmaceutical-grade materials and precise fabrication. For his butterfly works, specially trained assistants handle the delicate positioning of actual butterfly wings. More recently, his "Cherry Blossom" paintings represent a return to a more hands-on approach, with Hirst personally executing these gestural works while maintaining his conceptual framework.

Damien Hirst 
 A Thousand Years 1990 Glass, steel, silicone rubber, painted MDF, insect-ocutor, cow's head, blood, flies, maggots, metal dishes, cotton wool, sugar and water © Damien Hirst and Science Ltd. All rights reserved. DACS 2012. Photographed by Roger Wooldridge

Damien Hirst Catalogue Raisonné 

Documentation of Damien Hirst's extensive body of work has been undertaken through several major initiatives, reflecting both the diversity of his artistic output and his significant position in contemporary art. The most comprehensive documentation project is the ongoing "Damien Hirst: The Complete Catalogue Raisonné," published by Gagosian Gallery in collaboration with Science Ltd., Hirst's studio and company. This monumental multi-volume series began with "The Complete Spot Paintings 1986-2011" (2013), which catalogued all 1,365 spot paintings created by Hirst and his studio. Subsequent volumes include "The Complete Visual Candy Paintings" (2017) and "The Complete Medicine Cabinets" (2019), with additional volumes covering his formaldehyde works, butterflies, sculptures, and installations currently in development.

The primary repository for research and authentication is Science Ltd., Hirst's company that manages his archive, inventory, and authentication services. This organization maintains comprehensive records including technical specifications, exhibition histories, and provenance documentation for all works. Science Ltd. also oversees the conservation protocols for Hirst's technically complex works, particularly those involving biological materials, providing detailed maintenance guidelines to institutional and private collectors.

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Legacy

Damien Hirst's impact on contemporary art extends far beyond his provocative works to encompass fundamental shifts in artistic practice, institutional engagement, and market dynamics. As one of the defining artists of his generation, Hirst has challenged conventional boundaries between art, science, commerce, and popular culture, leaving a complex legacy that continues to influence artists, institutions, and the broader cultural landscape.

Perhaps Hirst's most significant contribution has been his radical reimagining of what constitutes an artwork. By incorporating actual biological specimens, pharmaceutical products, and industrial materials into visually stunning presentations, he expanded the material possibilities of contemporary art while engaging directly with profound existential questions. His formaldehyde works, particularly "The Physical Impossibility of Death in the Mind of Someone Living," transformed taxidermy and preservation into powerful artistic statements about mortality that became defining images of 1990s art. Similarly, his "Medicine Cabinets" and pharmacy installations elevated everyday pharmaceutical packaging into contemplative environments examining our cultural relationship with medical science and the promise of healing.

Prominent Exhibitions

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