David Shrigley

David Shrigley's works have been acquired by respected institutions worldwide, reflecting his significant influence despite his deliberately anti-establishment approach. TheTate in London holds an extensive collection of his drawings and publications, recognizing his important contribution to contemporary British art. At the Museum of Modern Art (MoMA)in New York, visitors can experience his works on paper that demonstrate his unique combination of text and image. The National Galleries of Scotlandmaintains a collection that includes his early drawings and books, highlighting his connections to the Scottish art scene. Other notable collections include the Art Institute of Chicago, the Museum of Contemporary Art, Chicago, and the Pinakothek der Modernein Munich. Shrigley's works also feature in important private collections including the Rubell Family Collection and The Zabludowicz Collection, whose holdings of his early drawings and multiples trace his artistic development.

David Shrigley's approach to art-making stands apart from many contemporary artists through its deliberate immediacy and lack of pretension. Working primarily from his studio in Brighton, UK, Shrigley maintains a practice characterized by spontaneity, humor, and a rejection of technical virtuosity in favor of authentic expression. Unlike artists who employ studio assistants or complex fabrication processes, Shrigley typically works alone, creating his drawings, paintings, and smaller sculptures directly by hand in a manner that preserves the freshness and humor of his ideas.

Shrigley's drawing process—for which he is best known—is remarkably direct. Using black ink on plain paper, he creates without preliminary sketches, embracing accidents, misspellings, and imperfections as integral elements of his aesthetic. He has described his approach as deliberately "deskilled," avoiding technical refinement that might detract from the immediacy of his communication. This spontaneous method allows him to produce a prolific body of work, with thousands of drawings created over his career, many of which appear in his numerous books and publications.

For three-dimensional works, Shrigley often collaborates with fabricators to realize his sculptures, which translate the awkward charm of his drawings into physical form. Works like "Really Good" (2016), his giant thumbs-up sculpture for London's Fourth Plinth commission, maintain the humor and deliberate awkwardness of his drawings while functioning as public monuments. His ceramic pieces, produced in small studios or with specialized manufacturers, similarly preserve the handmade quality and idiosyncratic character of his drawn work.

For collectors and institutions, the primary resources for authentication and documentation are his representing galleries:Stephen Friedman Galleryin London and Anton Kern Gallery in New York. These galleries maintain detailed records of Shrigley's exhibited works and editions, providing certificates of authenticity and provenance information for collectors.

David Shrigley's contribution to contemporary art is characterized by his democratization of artistic expression through humor, accessibility, and a deliberate rejection of technical virtuosity. By embracing an aesthetic that appears casual and unpolished, he has challenged conventional notions of artistic skill while creating a distinctive visual language that is immediately recognizable and widely influential. His work has expanded the possibilities of drawing as a contemporary medium, elevating quick, spontaneous sketches and handwritten text to the status of significant artistic expressions worthy of museum exhibitions and serious critical consideration.